There's a story behind this movies being that is every bit interesting as the film itself. It's disappointing to know that scenes involving the original story writers girl (played by veteran Eileen Atkins) were deleted prior to the films release. Unfortunately, all that'south left of these scenes is a montage of pages from her mothers original manuscript shown nether the end credits - using these notes in this way tin can evidence a petty disruptive for those unaware of the origins of these writings - as it tends to announced as if the films story was based on factual characters (while I'm certain many were indeed based on very real people and for the almost part the instances portrayed were founded on some terrible historical facts).
The author of the original story, Irene Nemirovsky, was tragically sent to her death at the hands of the invading High german army post-obit bitter fighting during the occupation of French republic in 1942. Her husband, earlier he also was executed, gave their daughter Denise his wife'due south manuscripts. Denise, for emotional reasons did not read her female parent'south writings till an astounding 60yrs later. She eventually had them compiled into a novel that was published in 2002 - becoming an international best seller. Story rights were and then sold for production as a screenplay. Denise sadly died just before the films release. To play the main protagonist producers cast Michele Williams (My week With Marilyn '11) mother to the late Heath Ledgers daughter. Because some of William'southward earlier roles she is nothing short of remarkable - turning in a convincingly measured operation as the repressed Lucile Angellier.
This is more than a conventional wartime romantic movie equally it deals realistically with the shocking impact of oppression and the devastating consequences it brings to all involved. Mayhap had the film makers paid a picayune less attention to the screenplays various sexual intrigues, they may have been able to treat the states to those deleted scenes detailing the fascinating real life story - involving the writers daughter discovering her mothers work all those years after the event!. Director and co-screenplay writer Saul Dibb along with collaborating writer Matt Charman - join forces with director of photography Eduard Grau to create some remarkably atmospheric scenes. One well executed sequence featuring endless lines of displaced French families fleeing the relentless onslaught on pes, is a pitiful and dramatic sight.
Those who remain in their homes are met with enforced billeting of German language Officers - this brings out the worst of homo nature with neighboring villagers sending notes 'rating' on their fellow neighbour's to proceeds favour from the Germans - a shocking act indeed. Music plays a primal role throughout the film with a romantic piano soliloquy composed by Alexandre Desplate played throughout. The heady accompanying action score is contributed by Rael Jones. Overall this is a sincere portrait of a dreadful time in human history and while the the script may falter in several situations information technology's far more than thoughtful than some other offerings forth these lines. Performances are strong with a sterling bandage of professionals working at their summit.
Note: This motion picture is remarkably like to an earlier production, staring the neat Maria Schell "Then Little Time" '52" - this marvelous classic pic has recently been released on DVD in England and is more than well worth locating.
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